Kyo Shoami
Sukashi design: Maple leaf and Deer antler (Kasugano) Genroku,
circa 1700
Material: Iron (tetsu) Shape: round (shin no maru-gata)
Height: 81.2 mm Width: 80.8 mm Rim thickness: 4.8 mm
Centre thickness: 4.6 mm Rounded corner rim (maru mimi)
Formerly collection of Ron Hartmann
A famous herd of tame deer has been
associated with the Kasuga Shrine - Kofukuji Temple complex, founded in
Nara by the Fujiwara family in 709 A.D., for centuries. According to
Shinto legend, the kami of Kashima Jinja (in modern Ibaraki Prefecture)
and Katori Jinja (in Chiba Prefecture), were summoned by the head of the
Fujiwara clan, and arrived riding on white deer for installation in the
new shrine. The notion of deer serving as means of passage for
divinities to the world of men enters into Shinto from Taoism. In
Taoist belief, deer are the only animal able to locate the sacred Fungus
of Immortality [reishi, mannendake] and live to an exceptionally
old age. Deer are, therefore, the messengers of the gods of
immortality, Furukokuju and Jurojin. By the 17th century, the antlers
of the resident deer were deemed hazardous to the crowds of visitors to
the temple and shrine, and the ceremonial cutting of the antlers (Shika-no-Tsunkiri)
became an annual October event. The combination of deer antler and
maple is a wonderful example of the allusive seasonal imagery beloved in
Japan.
The maple leaves are highlighted with
gold nunome (not really visible in the photograph) and bear residual
traces (considerably more prominent in the photograph than in reality)
of red pigment. The more pictorial approach in which tree, leaves, and
antler are modeled in the round and finely chiseled to suggest the
textures of bark and horn, and the use of slightly-colored highlights,
suggests the influence of the Kyoto-based Kanō School of painting.
The size differs from the height
printed in the catalogue, but this is almost certainly the same tsuba
listed in the Robert E. Haynes Ltd., Catalogue 5, Fine Japanese
Tsuba, Fittings, Woodblock Prints, Netsuke, Inro and Books on Swords and
Tsuba, March 27, 1983, page 27, lot 63, described:
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FINE CLASSICAL KYO-SHOAMI WORK. The sand iron
plate is well forged
and shows some iron bones in the edge. The sukashi is bold and strong
with good
gold nunome highlights. The antler and maple leaf design refers to the
Takeda
Shingen and Uesugi Kenshin battles. A very good Genroku example, ca.
1700. Ht.
7.5 cm. Th. 4.75 mm.
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